Regional Jewellery Traditions That Add Charm To Sankranti Celebrations

Makar Sankranti is a festival celebrated by most Indians all over India, marking the transit of the sun into Capricorn and being a time of new beginnings, harvest celebration, and festive fervour. It is usually associated with kite flying, bonfires, and an assortment of sweets. Another integral part of Sankranti festivity is the traditional attire, during which jewellery is an important feature. Regional jewellery traditions are a part of the state-wide celebrations and add a touch of elegance and charm across the country.

In this article, we'll take a closer look at the regional jewellery traditions that are synonymous with Makar Sankranti, highlighting the unique styles and craftsmanship from different parts of India. From the intricate gold designs of the South to the ornate silver creations of the North, these jewellery traditions not only complement ethnic outfits but also hold deep cultural significance.

1. Karnataka: Temple Jewellery

Karnataka's temple jewellery is among the favourite choices for many at the time of Makar Sankranti, more particularly for women in South India. This style of jewellery is created with a history from the ancient times, originating in the creation of the gods and temple idols. It is designed in intricate work of gold, silver, and even semi-precious stones like rubies and emeralds.

Temple jewellery, normally worn by women on the days of Sankranti, adds a royal look and touch to the apparel. The designs are typically flamboyant and dramatic in nature, with motifs from nature, the deities, and mythologies. Among the most famous types is the choker-necklace set, mostly completed with long earrings and an armlet called vanki. The majesty and grandeur attached to them give the Sankranti celebrations a feeling of reverence and beauty. Therefore, temple jewellery is very ideal for this occasion.

2. Maharashtra: Paithani Sarees and Kolhapuri Jewellery

Sankranti Jewellery is part and parcel of the state's tradition. Paithani sari is the finest hand-woven saree. A part of it is traditional Kolhapuri jewellery, primarily made in gold. Intricately woven flowers, paisley, and peacock have been made in it with striking motifs. Saath (bangles) is a special favorite in it, which goes well, along with nath.

The kolhapuri chappals are also a part of Maharashtra's traditional attire, and their unique design often inspires other jewellery pieces. The silver jewellery from this region is known for its bold, solid structures and filigree work, which blend in so well with the vibrant energy of Sankranti, both tradition and style.

3. Rajasthan: Kundan and Meenakari

Rajasthan, the land of royals, is renowned for its opulent jewellery traditions, especially the exquisite Kundan and Meenakari styles. Kundan jewellery, crafted from gold and adorned with precious stones, is known for its intricate designs, where gemstones are set in a gold frame. During Makar Sankranti, Rajasthani women often adorn themselves with heavy Kundan necklaces, ear cuffs, and maang tikka to complement their festive attire.

Meenakari, the enamelling art, is another important jewellery tradition of Rajasthan. The colourful enamel work combined with precious metals has created jewellery that is an eye-catcher and full of festive glee. Red, green, and gold colour combinations of Meenakari jewellery add a traditional touch that complements the celebration mood of Makar Sankranti. For many women, Kundan or Meenakari jewels are the way of exuding festive spirit and adornments that shine and sparkle as brilliant as the sun worshipped by the festival.

4. Punjab: Traditional Jutti and Phulkari Jewellery

The jewellery of Punjab is always very rich in culture, and gold, silver, and intricate embroidery are some of the features that characterise the ornaments. The most significant ornament of Punjabi jewellery during Makar Sankranti is the phulkari embroidery, which is a traditional form of needlework and is often found in jewellery pieces like maang tikka and earrings. The phulkari patterns are generally floral, and the designs are full of colour and life, which is perfectly in line with the festive energy of Sankranti.

Punjabi juttis, traditional shoes in Indian terms, make way mostly into the functions. while patterns are often woven with designs through jewellery, decorated using little beads and sequins. Often with either a simple but delicate choker or bajuband-a band worn around the arms, exemplary Punjabi jewels in modest sophistication, it improves standard dress.

Often with phulkari jewellery, Punjabi juttis are paired and their designs are frequently incorporated in jewellery with beads and sequins. Women wear these in combination with a simple but delicate choker or bajuband, that enhance the traditional attire with understated class and sophistication.

5. Bengal: Shakha and Pola Bangles

In Bengal, Makar Sankranti is a time of joy and cultural expression. One of the most unique jewellery traditions associated with this celebration is wearing of shakha (white bangles) and pola (red bangles), which are auspicious. The shakha and pola bangles, made of conch shell and coral, are traditionally worn by married Bengali women. These bangles symbolise marital bliss and are said to bring good fortune.

On Makar Sankranti, these bangles are worn with other ornaments of gold and silver along with intricate filigree work. These pieces are very simple and elegant; hence the jewellery doesn't take over the entire look of the saree or salwar kameez so that the look remains classy and traditional.

6. Gujarat: Silver Jewellery and Ghagras

The state of Gujarat adds a unique twist to Makar Sankranti jewellery because of its vibrant culture and festivals. The ladies of this state, during the festival, mainly wear silver jewellery, especially payals, bajubands, and rakhdi as headpieces. The jewellery made of silver is simple yet elegant, embellished with minute designs to add to the festive vibes of Sankranti.

Another popular jewellery item in Gujarat is the ghagras, which are worn as skirts and often decorated with small coins or pendants. The jingle of the coins adds to the festive atmosphere, making the jewellery not only a decorative element but also a musical accompaniment to the celebration.

Conclusion

Jewellery plays an integral role in Makar Sankranti celebrations across India. Be it the divine temple jewellery of Karnataka, royal Kundan of Rajasthan, or vibrant phulkari of Punjab, every region's jewellery adds a unique charm to the occasion. These regional styles do not only complement the traditional attire but carry along centuries of cultural heritage with them. This Makar Sankranti, celebrates the festival embracing rich and diverse jewellery traditions which add joy, beauty, and elegance to the festival.